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By 1968, Waters was no longer reaching black audiences, who were mostly listening to soul music by that time, and he also wasn't. Relive the music of the “Father of Modern Chicago Blues”. This album marks what could probably be considered the nadir of Muddy Waters' career, although at the time it did sell somewhere between 200,000 and 250,000 copies, a lot for Waters in those days.
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Muddy Waters’ music has influenced various American music genres, including rock and roll and rock music. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960. In 1958, he traveled to England, laying the foundations of the resurgence of interest in the blues there. These songs included “Hoochie Coochie Man”, “I Just Want to Make Love to You” and “I’m Ready”. In the early 1950s, Muddy Waters and his band-Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano-recorded several blues classics, some with the bassist and songwriter Willie Dixon. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.
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#MUDDY WATERS ELECTRIC MUD FULL PROFESSIONAL#
In 1943, he moved to Chicago to become a full-time professional musician. NPRs Linda Wertheimer talks Mud Morganfield, son of blues legend Muddy Waters, along with harmonica great Kim Wilson, about their new album of Muddy music, For Pops: A Tribute to Muddy Waters. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson. His style of playing has been described as “raining down Delta beatitude”. McKinley Morganfield (Ap– April 30, 1983), known professionally as Muddy Waters, was an American blues singer-songwriter and musician who is often cited as the “father of modern Chicago blues”, and an important figure on the post-war blues scene.